Max Holmberg Trio

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Max Holmberg is a Seattle-based drummer and educator. He first started getting to know the drum set at his grandpa's house at age two. Born into a family of actors and musicians, it's no surprise that the first music he remembers listening to is Count Basie. Max was primarily self-taught on the drum set through his time in the jazz programs at Eckstein Middle School and Roosevelt High School, though several mentors (listed below) have helped him along the way. Max then moved to Boston for four years where he completed his B.M. at Berklee College of Music. Upon completion, he returned to Seattle where he can be found performing in person and on the radio with many diverse projects and bands including the 200 Trio, The Arsonists, The Pacific Northwest Ballet School and the Kareem Kandi Band, as well as teaching out of his studio and at the Seattle Drum School. Max hosts the Sunday night jam session at the Angry Beaver in Greenwood.

Max’s influences range from traditional Malian/Guinean drumming to Brad Mehldau to Earth, Wind and Fire but what will likely best represent what people will hear at Vito's is Oscar Peterson, Ahmad Jamal, Jimmy Smith, Count Basie, Duke Ellington, Marvin Gaye, and Kurt Rosenwinkel.

Johnny Astro

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Johnny Astro is a surf/lounge band from Seattle, Washington formed in 1997 by guitarist Mark Bombara. They perform instrumental surf, lounge, ’60s spy and movie soundtrack music and originals. The band combines the talents of guitarist, song writer and band leader Mark Bombara, drummer Shane Peck, vibraphonist Susan Pascal, bassist Noah Wilson and saxophonist Marty Jourard.

Jerry Zimmerman

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Pianist Jerry Zimmerman has been a mainstay in Seattle for nearly 50 years. It was during his 30 plus years at Canlis that he was named by the Seattle Weekly as “Seattle’s Best Piano Bar.” That was when he was doing what he loves to do most, including aspiring and professional singers in the mix. They covered the gamut of opera, jazz, show tunes, contemporary and classical. That, plus his seemingly effortless transitions from request to request has made him “one of the busiest working musicians in the area with an extensive following.” (Eastside Guide) This is currently the scene at Vito’s, where he plays for many multi-talented singers. A graduate of O’Dea High School, Seattle University, and Cornish School of Music (scholarship), Jerry has been blessed with the lifetime ability to earn a comfortable living and raise a family doing what he loves most, playing the piano. His influences include both friends and contemporaries: Erroll Garner, Dave Brubeck, George Shearing, Art Tatum, Oscar Peterson, Peter Nero, Vince Guaraldi and Bill Evans.

Monty Banks

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Monty Banks is an authentic, professional, experienced, award-winning singer, pianist, bandleader, and entertainer.  His musical style is an entertaining mix of Rat Pack-era swing, traditional jazz, and New Orleans R&B.

Monty lives in Seattle every summer (June, July, August, September), and in New Orleans the rest of the year (October through May).

From the roots of Rock ‘N Roll, to the swingin’ good times of the Rat Pack Era, Monty’s adventures in music have taken him from New York City, to his native Seattle, to Las Vegas, to cuise ships, Indian Casinos, and now the city where jazz was born. “I love mixing the swingin’ sensibilities of Frank Sinatra with the syncopating blues of Jelly Roll Morton, when combined with the upbeat, Creole boogie of Fats Domino,” he says. “That’s the right recipe for my kind of good times music!”

www.montybanks.com

Bob Hammer

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Bob Hammer is a legendary jazz pianist, composer and arranger with a career spanning over 60 years and a star-studded list of collaborators. He studied music at the Manhattan School of Music and Michigan State University and early in his career, he worked with the likes of Bud Freeman, Red Allen, and Gene Krupa and in groups such as the Sauter/Finnegan Orchestra and the Roy Eldridge Quartet. This led to a musical relationship with Charles Mingus, who called him his “Beethoven” and featured him arranging bass parts on albums such as Mingus Mingus Mingus Mingus Mingus, Townhall Concert and The Black Saint and the Sinner Lady. A recording career was followed by years playing in Vegas show bands, a time as a college jazz improvisation instructor, and many other diverse arrangements. Bob Hammer plays popular and esoteric jazz classics in the style of Bud Powell, Teddy Wilson, and Nat King Cole on Sundays from 6-9 pm.

Ron Weinstein Trio

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You might have heard Ron Weinstein play with Combo Craig or Crack Sabbath, but this straight-up trio of piano, stand-up bass, and drums is jazz reminiscent of the late 50's and early 60's New York style. It is one of the most energetic jazz gigs we have at Vito’s and you really can’t help but smile at the whole affair.

Wally Shoup

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The Wally Shoup Quartet brings its own film noir soundtrack to Vito's each time they play. Torch songs, blues ballads, Beatles and classic jazz tunes are filtered through a Lynchian prism by way of Sun Ra and John Coltrane. Led by the soulful, deep-toned alto sax of Wally Shoup and vibist Bob Rees, the quartet is equally at home casting a sultry spell or lifting off into the sonic spaceways. Bassist John Seman and drummer Mark Ostrowski round out this exceptional group, propelling the music forward with their subtle and compelling rhythmic stylings.

Satin Sirens

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Satin Sirens is a 1920's style jazz band that emulates artists such as the Andrew's Sisters, Cab Calloway, and Ella Fitzgerald. This band encompasses everything between the party feel of the roaring 20's to the laid back smoke-filled Speakeasies of the prohibition era. 

Lushy

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Progressive cocktail pop – Think the Jetsons with fuzzy guitars – danceable and lounge-y !!!

Drink up people–it’s LUSHY! Bossa beat flavored alterna-pop that goes down nice and easy. Lounge-y and danceable with hints of exotica and a touch of electronica…nutty and hip…intriguing and soothing–must see live!

Lushy concocts a refreshing pop style that blends original samples and Bossa beats with elements of vintage-Latin jazz, exotica, surf, new wave and sixties pop  to create their own distinctive intercontinental sound. Most importantly, they have established a solid reputation for originality far beyond their roots in the lounge and exotica scene. What started as a lighthearted recording session among friends has now turned into a lasting and successful project. In the basement tiki den, with fully stocked cocktail bar, that is their studio, Lushy was formed and began compiling an extensive catalog of original songs. With scores of successful gigs from Vancouver BC to Los Angeles to Berlin, Lushy has steadily risen through the ranks of Seattle’s musical landscape. Led by dynamic vocalist Annabella Kirby, musical mastermind Andy Sodt, guitars wizard Matt Nims, Patrick Napper on trumpet/guitar and Shane Peck on drums. Lushy holds sway over every stage they inhabit. 

Jerry Zimmerman

Pianist Jerry Zimmerman has been a mainstay in Seattle for nearly 50 years. It was during his 30 plus years at Canlis that he was named by the Seattle Weekly as “Seattle’s Best Piano Bar.” That was when he was doing what he loves to do most, including aspiring and professional singers in the mix. They covered the gamut of opera, jazz, show tunes, contemporary and classical. That, plus his seemingly effortless transitions from request to request has made him “one of the busiest working musicians in the area with an extensive following.” (Eastside Guide) This is currently the scene at Vito’s, where he plays for many multi-talented singers. A graduate of O’Dea High School, Seattle University, and Cornish School of Music (scholarship), Jerry has been blessed with the lifetime ability to earn a comfortable living and raise a family doing what he loves most, playing the piano. His influences include both friends and contemporaries: Erroll Garner, Dave Brubeck, George Shearing, Art Tatum, Oscar Peterson, Peter Nero, Vince Guaraldi and Bill Evans.

Tim Kennedy Trio

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Tim Kennedy is a Seattle-based pianist and composer. He can be found on any given night performing jazz, pop, or gospel around town. A lifelong student of jazz, Tim has toured all over the world performing this music. He is currently the front man for the pop dance outfit Richie Aldente, and leads the electric jazz trio Gravity.

TBA

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Ron Weinstein Trio

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You might have heard Ron Weinstein play with Combo Craig or Crack Sabbath, but this straight-up trio of piano, stand-up bass, and drums is jazz reminiscent of the late 50's and early 60's New York style. It is one of the most energetic jazz gigs we have at Vito’s and you really can’t help but smile at the whole affair.

Marina Christopher Trio

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Marina Christopher is an awarding-winning bassist and vocalist in Seattle. She recently won the Golden Ear Award for Emerging Artist from Earshot Jazz, and she took home a Special Mention from the 2018 Seattle-Kobe Jazz Vocalist Audition at Jazz Alley. Her motto is “Jazz eats every kind of music for breakfast”, which is obvious from her fun, jazzy takes on decades of jazz, funk, pop and rock. Marina’s own songwriting has clever lyrics, catchy melodies and rich jazz harmonies.

Marina has a sultry voice and an unstoppable bass groove which attracts other top-shelf Seattle musicians to join her onstage. You don’t want to miss the performer Abe Beeson of 88.5 KNKX called “one hip cat”.

Also check out Marina’s neo-soul project Marina and the Dreamboats, as well as her electric bass playing in the instrumental progressive jazz group, The Bad News Botanists.

Jovino Santos Neto

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Three-time Latin Grammy nominee and Seattle Jazz Hall of Fame member Jovino Santos Neto, a master pianist, composer and arranger, is among the top Brazilian musicians working today. Currently based in Seattle, Washington, he has throughout his career been closely affiliated with the Brazilian master Hermeto Pascoal.  He was an integral part of Pascoal’s group from 1977 to 1992, where he fine-tuned his artistry, performing around the world and co-producing several legendary records.Jovino’s personal style is a creative blend of energetic grooves, deep harmonies, telepathic improvisation, lyrical melodies and great ensemble playing, always inspired and informed by the colorful richness of Brazilian music. His compositions include samba, choro, baião, xote, forró, marcha and many more styles, rooted in centuries-old musical tradition while pointing to new and adventurous harmonic languages.

www.jovisan.net

The Tarantellas

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In a salute to Vito's Italian heritage, we are proud to present The Tarantellas as our dinner show on the first and third Saturdays of each month for a festive and loving tribute to "The Legendary Favorite Songs of Italy."  Bandleader/vocalist Richard Sclafani holds forth with his antique Neapolitan Mandolin, a little work of art in itself, with a unique sound that has been described as the "heart and soul of Southern Italy".  On various nights, he is accompanied by special guests, including accordion virtuoso Bonnie Birch, acoustic guitarist Juan "Giovanni" Barco, and harmony vocalist Lana Brown.  Romantic Italian love songs, classical waltzes, haunting Sicilian melodies, and wild Tarantella dances are all part of the authentic mix. Plus, The Tarantellas add their unique touch to many Italian-American favorites by Dean Martin, Al Martino, Julias LaRosa, Jerry Vale, and other great crooners of the '50s and '60s!

(Hint: Bring your Sweetheart, and upon request, The Tarantellas will perform a romantic table-side serenade just for you.)  Viva Italia!

Casey MacGill

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Casey MacGill croons classic tunes in a style encompassing blues, ballads, and boogie. His piano weaves a spell of smoke-filled joints where little dramas played out to the sounds of tinkling keys. Casey is a native of Los Angeles, grew up with folk music, surf, 60's pop, and eventually the blues. He attended the Monterey Pop Festival, saw icons Jimi Hendrix, Janis Joplin, blues artists Paul Butterfield, Junior Wells, Albert King, and the blues became the cornerstone of his musical style. He majored in music at Pasadena City College and Cal State LA, studying with jazz greats Gary Foster, Warne Marsh, and Buddy Collette. MacGill performed on the Tonight Show with Johnny Carson, the Gong Show, and the movie Frances with his trio Mood Indigo. Casey was featured in the Broadway musical Swing, opening the show and writing five songs. Casey currently plays in the group the Blue 4 Trio, on ukulele and cornet, in addition to piano, and occasionally Roy Kay's Red Hot Rhythm Club. He particularly enjoys his solo turn at Vito's for the chance to help create the ambience of a vintage cocktail lounge with his music.

Bob Hammer

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Bob Hammer is a legendary jazz pianist, composer and arranger with a career spanning over 60 years and a star-studded list of collaborators. He studied music at the Manhattan School of Music and Michigan State University and early in his career, he worked with the likes of Bud Freeman, Red Allen, and Gene Krupa and in groups such as the Sauter/Finnegan Orchestra and the Roy Eldridge Quartet. This led to a musical relationship with Charles Mingus, who called him his “Beethoven” and featured him arranging bass parts on albums such as Mingus Mingus Mingus Mingus Mingus, Townhall Concert and The Black Saint and the Sinner Lady. A recording career was followed by years playing in Vegas show bands, a time as a college jazz improvisation instructor, and many other diverse arrangements. Bob Hammer plays popular and esoteric jazz classics in the style of Bud Powell, Teddy Wilson, and Nat King Cole on Sundays from 6-9 pm.

Ron Weinstein Trio

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You might have heard Ron Weinstein play with Combo Craig or Crack Sabbath, but this straight-up trio of piano, stand-up bass, and drums is jazz reminiscent of the late 50's and early 60's New York style. It is one of the most energetic jazz gigs we have at Vito’s and you really can’t help but smile at the whole affair.

Brazil Novo

Michel Navedo and Brazil Novo recreate the era of classic Bossa Nova for fans of Tom Jobim, Joao Gilberto, and Caetano Veloso. On the trumpet, Puerto Rican-born Michel Navedo evokes a mellow, soulful tone. If you can imagine Chet Baker singing in Portuguese, Spanish, and English backed by an incredibly talented group, this is what it would sound like!

“Brazil Novo provides Seattle with access to the city of Rio de Janeiro in the ’50s and ’60s” — Charles Mudede, The Stranger

www.michelnavedo.com

Dan Kramlich Trio

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Pianist Dan Kramlich has established himself as one of Seattle’s most sought after performers, educators, and adjudicators. His style was informed by jazz legends Fred Hersch and Billy Hart, with whom he worked extensively while studying at Western Michigan University.

Dan can be heard on many recordings by local musicians, including Steve Treseler’s “Center Song,” the Vern Sielert Dektet’s “From There to Here,” and Phil Parisot’s “Lingo” and “Creekside.”

He currently performs with his own group, the Grunge Trio, as well as the Javatown Swing Orchestra, Jennifer Kienzle, and many others.

Dan also maintains a busy teaching studio. He currently directs the jazz ensemble at Seattle Pacific University, and teaches privately at Creative Music Adventures in Seattle.

Kate Olson Ensemble

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KO Ensemble is a rotating cast of Seattle’s best jazz and creative musicians, including Tim Kennedy, Samantha Boshnack, Naomi Siegel, Robby Beasley, Simon Henneman, Chris Icasiano, Eric Eagle, Wayne Horvitz, Geoff Harper, Andy Roth, Chris Credit, Evan Flory-Barnes and Michael Owcharuk. This is Kate’s most straight ahead jazz project, and her compositions are heavily influence by the music of Thelonious Monk, as well as the compositions of her contemporaries in the Seattle music scene. KO Ensemble has many incarnations, from duo to sextet.

www.kateplayssax.com

Jerry Zimmerman

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Pianist Jerry Zimmerman has been a mainstay in Seattle for nearly 50 years. It was during his 30 plus years at Canlis that he was named by the Seattle Weekly as “Seattle’s Best Piano Bar.” That was when he was doing what he loves to do most, including aspiring and professional singers in the mix. They covered the gamut of opera, jazz, show tunes, contemporary and classical. That, plus his seemingly effortless transitions from request to request has made him “one of the busiest working musicians in the area with an extensive following.” (Eastside Guide) This is currently the scene at Vito’s, where he plays for many multi-talented singers. A graduate of O’Dea High School, Seattle University, and Cornish School of Music (scholarship), Jerry has been blessed with the lifetime ability to earn a comfortable living and raise a family doing what he loves most, playing the piano. His influences include both friends and contemporaries: Erroll Garner, Dave Brubeck, George Shearing, Art Tatum, Oscar Peterson, Peter Nero, Vince Guaraldi and Bill Evans.

Kareem Kandi

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A native of the Pacific Northwest, saxophonist Kareem Kandi has been performing on the scene for years, gaining attention from both critics and audiences alike.  Kareem attended Cornish College of the Arts where he studied composition and performance from some of the greatest jazz musicians in Seattle WA. Currently his band plays a mixture of originals and arrangements of standards which cover many styles ranging from jazz, funk, rock, blues, and ballads. When not leading his own group Kareem can be seen and heard performing with many other top notch bands in the Northwest, most notably The Paperboys from Vancouver B.C.

For more information visit: www.kareemkandi.com

Bob Hammer

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Bob Hammer is a legendary jazz pianist, composer and arranger with a career spanning over 60 years and a star-studded list of collaborators. He studied music at the Manhattan School of Music and Michigan State University and early in his career, he worked with the likes of Bud Freeman, Red Allen, and Gene Krupa and in groups such as the Sauter/Finnegan Orchestra and the Roy Eldridge Quartet. This led to a musical relationship with Charles Mingus, who called him his “Beethoven” and featured him arranging bass parts on albums such as Mingus Mingus Mingus Mingus Mingus, Townhall Concert and The Black Saint and the Sinner Lady. A recording career was followed by years playing in Vegas show bands, a time as a college jazz improvisation instructor, and many other diverse arrangements. Bob Hammer plays popular and esoteric jazz classics in the style of Bud Powell, Teddy Wilson, and Nat King Cole on Sundays from 6-9 pm.

Ron Weinstein Trio

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You might have heard Ron Weinstein play with Combo Craig or Crack Sabbath, but this straight-up trio of piano, stand-up bass, and drums is jazz reminiscent of the late 50's and early 60's New York style. It is one of the most energetic jazz gigs we have at Vito’s and you really can’t help but smile at the whole affair.

Brad Gibson Presents

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Drummer Brad Gibson likes to feature a rotating cast of the city's best musicians in his monthly performances at Vito's. Gibson and Co. offer a contemporary spin on classic jazz repertoire, performed with a daring yet refined attitude.

 
bradgibson.com

Johnny Sangster and the Moonspinners

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Johnny Sangster is a Seattle based musician known for his music production and engineering work with Mudhoney, The Posies, Cobirds Unite, Maggie Bjorklund and many others. He also plays guitar, bass and keys for Neko Case, the Tripwires, Mark Lanegan, & The Demon Rind. He will be releasing his first solo album July 1st and celebrating it’s release at Vito’s July 19th. Sharing the evening will be the fabulous Moonspinners. 

Ben von Wildenhaus

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Ben von Wildenhaus performs a mostly instrumental music that New York Music Daily has described as “transcontinental noir.” He has been compared to guitarists like Marc Ribot, Sir Richard Bishop and Sandy Bull, though his live show can evoke the intentional awkwardness of Neil Hamburger. Using an electric guitar, textless vocals, found audio and just about anything that can produce a tone, Wildenhaus produces, both live and on record, a seamless amalgam of Egyptian film music, Berber desert guitar, American folk melody, and avant-garde minimalism.

Raised in the Pacific Northwest and refined in New York City, Wildenhaus has a diverse CV that includes Northwest heavy dudes Federation X, country nomads Juanita Family and Friends, and the City University of New York’s Middle Eastern Ensemble. He performs at Vito's with saxophonist and guitarist Jon Sampson (Bar Tabac, Shoddy Prototypes), drummer Andy Piper (Sugar Sugar Sugar), and bassist Jeff Gray (Dusty 45s).

The Tarantellas

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In a salute to Vito's Italian heritage, we are proud to present The Tarantellas as our dinner show on the first and third Saturdays of each month for a festive and loving tribute to "The Legendary Favorite Songs of Italy."  Bandleader/vocalist Richard Sclafani holds forth with his antique Neapolitan Mandolin, a little work of art in itself, with a unique sound that has been described as the "heart and soul of Southern Italy".  On various nights, he is accompanied by special guests, including accordion virtuoso Bonnie Birch, acoustic guitarist Juan "Giovanni" Barco, and harmony vocalist Lana Brown.  Romantic Italian love songs, classical waltzes, haunting Sicilian melodies, and wild Tarantella dances are all part of the authentic mix. Plus, The Tarantellas add their unique touch to many Italian-American favorites by Dean Martin, Al Martino, Julias LaRosa, Jerry Vale, and other great crooners of the '50s and '60s!

(Hint: Bring your Sweetheart, and upon request, The Tarantellas will perform a romantic table-side serenade just for you.)  Viva Italia!

TBA

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Bob Hammer

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Bob Hammer is a legendary jazz pianist, composer and arranger with a career spanning over 60 years and a star-studded list of collaborators. He studied music at the Manhattan School of Music and Michigan State University and early in his career, he worked with the likes of Bud Freeman, Red Allen, and Gene Krupa and in groups such as the Sauter/Finnegan Orchestra and the Roy Eldridge Quartet. This led to a musical relationship with Charles Mingus, who called him his “Beethoven” and featured him arranging bass parts on albums such as Mingus Mingus Mingus Mingus Mingus, Townhall Concert and The Black Saint and the Sinner Lady. A recording career was followed by years playing in Vegas show bands, a time as a college jazz improvisation instructor, and many other diverse arrangements. Bob Hammer plays popular and esoteric jazz classics in the style of Bud Powell, Teddy Wilson, and Nat King Cole on Sundays from 6-9 pm.

Ron Weinstein Trio

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You might have heard Ron Weinstein play with Combo Craig or Crack Sabbath, but this straight-up trio of piano, stand-up bass, and drums is jazz reminiscent of the late 50's and early 60's New York style. It is one of the most energetic jazz gigs we have at Vito’s and you really can’t help but smile at the whole affair.

Happy Birthday Ron Weinstein!

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You might have heard Ron Weinstein play with Combo Craig or Crack Sabbath, but this straight-up trio of piano, stand-up bass, and drums is jazz reminiscent of the late 50's and early 60's New York style. It is one of the most energetic jazz gigs we have at Vito’s and you really can’t help but smile at the whole affair.

Come help Vito's celebrate one of our most beloved performers on his birthday!

 

Tiki Party featuring Casey MacGill

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Join us for a spectacular evening of tiki rum cocktails and live music with Casey MacGill, featuring swing, cha-cha, and rhumba music for your dancing and listening enjoyment!  No cover, so drink and enjoy the evening!  

Yada Yada Blues Band

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Preaching old blues from the sixties and seventies, the Yada Yada Blues Band was formed as a side project of touring Seattle musicians. Their repertoire has a big collar, zoot suit strut to it and dips in the well of Freddie King's Leon Russell days.
The band had a chance to back up Motown recording artist Dennis Coffey in 2011 and absorbed a little funk into their set. They avoid typical covers and focus on deeper cuts of artists lesser known to today's listener.

 

Jerry Zimmerman

Pianist Jerry Zimmerman has been a mainstay in Seattle for nearly 50 years. It was during his 30 plus years at Canlis that he was named by the Seattle Weekly as “Seattle’s Best Piano Bar.” That was when he was doing what he loves to do most, including aspiring and professional singers in the mix. They covered the gamut of opera, jazz, show tunes, contemporary and classical. That, plus his seemingly effortless transitions from request to request has made him “one of the busiest working musicians in the area with an extensive following.” (Eastside Guide) This is currently the scene at Vito’s, where he plays for many multi-talented singers. A graduate of O’Dea High School, Seattle University, and Cornish School of Music (scholarship), Jerry has been blessed with the lifetime ability to earn a comfortable living and raise a family doing what he loves most, playing the piano. His influences include both friends and contemporaries: Erroll Garner, Dave Brubeck, George Shearing, Art Tatum, Oscar Peterson, Peter Nero, Vince Guaraldi and Bill Evans.

Afrocop

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Seattle trio Afrocop performs improvised soundscapes inspired by soul, psych, breakbeat, sci-fi and jazz. Noel Brass Jr. (keys) formed the band after moving to Seattle 5 years ago from the Chicago area to express his psychedelic gospel leanings. Veteran Seattle player Andy Sells has set his role in the group as the force on drums and percussion (FCS North, Cascadia ’10, Fascination Nation) Carlos Tulloss holds down bass & creates his own level of otherworldly groove (SCREENS, Stereo Sons, Undersea Passage).

Bob Hammer

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Bob Hammer is a legendary jazz pianist, composer and arranger with a career spanning over 60 years and a star-studded list of collaborators. He studied music at the Manhattan School of Music and Michigan State University and early in his career, he worked with the likes of Bud Freeman, Red Allen, and Gene Krupa and in groups such as the Sauter/Finnegan Orchestra and the Roy Eldridge Quartet. This led to a musical relationship with Charles Mingus, who called him his “Beethoven” and featured him arranging bass parts on albums such as Mingus Mingus Mingus Mingus Mingus, Townhall Concert and The Black Saint and the Sinner Lady. A recording career was followed by years playing in Vegas show bands, a time as a college jazz improvisation instructor, and many other diverse arrangements. Bob Hammer plays popular and esoteric jazz classics in the style of Bud Powell, Teddy Wilson, and Nat King Cole on Sundays from 6-9 pm.

Ron Weinstein Trio

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You might have heard Ron Weinstein play with Combo Craig or Crack Sabbath, but this straight-up trio of piano, stand-up bass, and drums is jazz reminiscent of the late 50's and early 60's New York style. It is one of the most energetic jazz gigs we have at Vito’s and you really can’t help but smile at the whole affair.